Late Night Kcals is more than a brand to me.

It is a practice of attention.

I’m drawn to moments that usually disappear — late-night leftovers, consumed objects, ordinary forms. I don’t redesign them. I observe them, then fix them in time through slow, deliberate processes.

Each piece exists once.

I don’t correct it. I don’t improve it.

Material, process, and numbering are not technical choices, but carriers of meaning. The work isn’t about perfection, but presence — the decision to look closely and keep what would otherwise be forgotten.

Late Night Kcals operates between design and memory, humor and restraint, late-night rituals and solitude.

The objects are meant to be worn — not explained.